Sunday, June 1, 2014

Conversation with Chuck Garric - Ep139

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Chuck Garric is no stranger to large crowds and big tours. His bass duties for such rock and metal legends as Dio, LA Guns, and Alice Cooper have given him quite a resume. But one thing that stays the same after playing in front of millions of people over the years; Chuck Garric is still the same music fan he was as a kid.


When not on tour, Garric resides in Nashville, TN as part of the long line of rockers that have made their way to the Southeastern hotbed of music. On a random weeknight you can see Chuck, along with members/ex-members of Motley Crue, Thin Lizzy, Accept and many others jamming out to some of the songs that got them hooked on rock and roll in their early years.


Aaron and Chris were fortunate enough to grab a coffee with Chuck just before he left for Europe to hit some big festivals with Alice Cooper as well as gearing up to co-headline with Motley Crue on their final tour.


In this discussion, Chuck goes back to his Lake Tahoe, CA roots to describe his musical upbringing, the awesomeness of Ted Nugent, his thoughts on American vs. European audiences, and the likelihood of Alice breaking the drought of DaDa songs in the setlist among other things.


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Rival Sons: True Rock Revivalists

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Remember the first time you heard whatever band it was that made it click? The riff that made you drop whatever you were into and pick up a guitar? Remember the music that had The Wow Factor? For me, being born in 1970, my early childhood was steeped in bands that seemed to have that type of impact. At least on me. As a small boy I would pray daily to the stacks. You see, my father and my stepfather at the time both had those classic 70's component stereos with racks of electronics that did who-knows-what and giant speaker cabinets in all four corners of the living room. And next to racks of equipment were the stacks. The albums. Not really stacked actually because they were poker chipped against the wall on the floor. Three rows. Like a triple lane highway of rock n' roll exploration. It was there a midst those pulsing speaker cabinets that I would sit in rapture and gaze at the album covers while Led Zeppelin, Aerosmith, Grand Funk Railroad, Heart, ZZ Top, Clapton, Jeff Beck, Van Halen, Ted Nugent and so many others came out of the speakers to meet me and show me the way. Oh yeah, lets not leave out The Hottest Band In The World....!! One thing all those bands did so many years ago was set a standard. They set a bar in place that few bands, in my opinion, seldom reach. Sure, I've gone through different music phases as the decades have come and gone; but I always come back to ground zero. Back to the classic sounds of my childhood. Back to music that still retains that Wow Factor.

Nowadays, when I'm not working, wiping butts, or putting out small fires, you may find me at the computer listening to my musical cornerstones or searching for something to move me. I was completely moved about a month ago when I discovered Rival Sons. Instant Wow Factor. My first thought was How Have I Missed This?? As I dug into their catalog I was transported back to that living room floor in front of the stacks once again. The sounds and textures this band creates while fusing rock and blues styles that are decades old is incredible.

Hailing from Long Beach, California; Rival Sons formed in 2009. Their debut album "Before The Fire" was released that same year. The follow-up "Pressure And Time" in 2011 and "Head Down" was released in 2012. The forthcoming "Great Western Valkyrie" is due in June of this year.


If Steven Tyler, Jim Morrison, and Michael Hutchence could've contributed DNA to collectively father a child with Janis Joplin, you might get Rival Sons frontman Jay Buchanan. A blues singer by trade, he can also wail like a rock god, break a story down rockabilly style, or wax psychedelic with incredible control of his craft.
Guitarist Scott Holliday is certainly the wheel in the middle of the wheel for this band. His ability to create rhythmic fabric and texture would make The Edge call for backup on his best day, all the while channeling the guitar gods of days gone by. Thunderous rock riffs and lamenting blues leads all wrapped in wah wah, fuzz, and delay.
Drummer Mike Miley and current bassist David Beste bring up the bottom end famously, laying down rock solid bass lines and booming back beats. Original bass player Robin Everhart departed last year.

Getting the heaviest rotation for me at this point is their 2012 release " Head Down". This album masterfully takes the listener on a trip through the 50's, 60's and 70's. It opens with 'Keep On Swingin', which contains a heavy riff and soulful vocal. The video for this song gained some notoriety. It shows the band playing in an old fashioned Pentecostal church service, with the preacher and frontman Jay Buchanan both handling snakes. I found the video entertaining, as I have past experience with churches like this. Snake-free of course. 'Wild Animal' is next with a cool groove and breathy vocals giving a nod to The Zombies and Blue Oyster Cult. 'You Want To' is a tight rocker showcasing Jay Buchanan's vocal chops. 'Until The Sun Comes' has a catchy surf rock guitar lick and infectious chorus. 'Run From Revelation' is raw, powerful blues. One of my favorite songs on the album. The album slows down next with 'Jordan', a moving reflection of a lost loved one. Beautiful song. 'All The Way' picks up the pace in the vain of 'Some Kind Of Wonderful' by Grand Funk Railroad. 'The Heist' tells the story of a desperate man on a mission the style of The Doors. 'Three Fingers' is a sizzling hard rocker followed by a short acoustic piece 'Nava'. Lyrics about the tragedy of Native Americans with a little prog and psychadelia make up the slow tempo rocker 'Manifest Destiny Pt. 1'. Revenge is achieved in 'Manifest Destiny Pt. 2'. The album closes on a quiet note with 'True', a singer songwriter style song with shades of Simon And Garfunkel. From start to finish, an undeniable piece of work.

Critics have asked "will Rival Sons save rock n' roll?" Can any one band do that? Probably not. But they certainly reign supreme as rock revivalists. And for me, they gave me back the Wow Factor.





Friday, May 30, 2014

The Meister's 2014 Sweden Invasion Begins!

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Please visit us on our new website for Decibel Geek's coverage of the Sweden Rock Festival 2015 

After last year's adventures at Sweden Rock Festival, from all the good (the whole damn thing) and the bad (almost losing my job over going), I couldn't help but return for another engagement ("A Canadian Decibel Geek in Sweden").  The Sweden Rock Festival began in 1992, marking the 22nd Anniversary for 2014's event and takes place in the less than 10,000 populated, small town of Solvesborg.  Solvesborg is located in the southern portion of the Scandinavian country and boasts historical significance and beautiful beaches alongside one of Europe's largest and most important festivals.
In just a few days I will be heading to Toronto's Pearson Airport for my flight, (stopover at London's Heathrow), to Copenhagen, Denmark.  I learned from last year's experience, as one hopefully does with anything that one does multiple times and this year will be flying in and out of Copenhagen as it's the closest airport to the grounds (about half the train ride than it was from Stockholm).  I have been able to eke out two more days than last year, giving me a total of eight for this adventure. 
I will land in Copenhagen around 1pm on Tuesday June 2nd, having flown through the night and will be heading straight for the train.  The plan is that I will arrive on the grounds early enough to check in and obtain my press/VIP wrist band along with a souvenir "Sweden Rock 2014 4  Day" wristband which was out of stock by the time I arrived on the Wednesday in 2013.  After constructing my domicile (my tent, last year affectionately dubbed DBG HQ), I should even have some time to head into Solvesborg to explore the town.  I want to investigate the ruined castle that one reader commented about on one of last year's articles ("A Canadian Decibel Geek in Sweden-Days #1 & 2").  From there on in it's 4 days jam packed with great rock and roll, meeting new friends and probably some beer drinking ;).

Overall, I much preferred the line up for last year's event as it contained many of my all time favorite bands on the roster, a lot of whose logos even appear in my full sleeve tattoo.  The line up for this year's event still has tons of great bands, but leaves some room for discovery of new music as well.

Some old favorites that I'll be sure to investigate are: Y&T, Tesla, Queensryche and Red Dragon Cartel (all of whom I've just seen on 2014's Monsters of Rock Cruise or at 2014's M3 Festival or even both).  Other targets include TNT (with Tony Harnell), Heaven's Basement and "Rock Icon" Alice Cooper.  Also in the mix is Danger Danger and while I've never seen the full band live, I have caught Ted Poley solo many times through the cruise.  It's a similar situation with Ted Nugent who I've only seen as a member of Damn Yankees back in the 90's.

Having seen those bands before, I know that I'm in for some great rock and roll performances from them but there's also tons and tons of new bands to discover at Sweden Rock Festival, the beauty of having a total of over 80 bands!  Through some listening samples via "You-Tube" and the Sweden Rock Festival website, I've been able to identify the following bands to line up in the crosshairs of my 2014 Sweden experience.

Vdelli (a blues/hard rock band from Australia), Norway's Backstreet Girls (who are in fact all men and bear no relation to Backstreet Boys) and Roxie77 (Ryan Roxie's band imported for the festival from the US).  Sweden's Black Trip is on the bill and their recent release Going Under is a great addition to my collection.  Ammotrack, also hailing from Sweden, has impressed me with the two albums I found for purchase and both these bands slam home the belief that Sweden's rock outputs should have more attention paid to them!  UK speed/thrash metallers Jaguar, Italian shock rock/industrial metal group Death SS and prog rockers from USA, Q5 were all bands that I'd not heard of until I started my Sweden experience planning.

Some other targets for me that I've never seen before, but were at least a little familiar with the music are the US's Black Stone Cherry (who I'm liking more and more), Germany's Masterplan (featuring Roland Grapow from Helloween fame), Australia's Kings of the Sun (who's hard rock sounds of their 1990 Full Frontal Attack album was popular in my first car) and America's Madam X (featuring rock sisters Maxine and Roxy Petrucci).

Bands like Denmark's Pretty Maids, whose Louder Than Ever album I reviewed recently and named their 2013 Motherland effort one of the best of the year, will finally be checked off of my list.  The same goes for some elusive groups whose performances I always seem to succeed in missing their during stops in Toronto like Rob Zombie, Alter Bridge, Black Sabbath, Flotsam & Jetsam and W.A.S.P. (who appears in my tattoo as well, yet I've never seen live!).

 There have been a couple of cancellations this year leaving the organizers scrambling to find suitable replacements.  Lynch Mob just recently announced that they would not be participating in the festival, leaving room for Sweden's Electric Boys to step in and fill the void.  German power metaller, U.D.O., takes up the spot rendered vacant by Megadeth as one of the band members there has suffered a death in the family keeping Megadeth on my bucket list of bands to see, a situation that seems difficult to rectify!

As you can see by the band list promo poster above this only scratches the surface of the total rock and roll overload I'm about to endure and I expect to come away being fans of groups I'd never heard of before this!

The festival's last show ends in the wee hours of Saturday night/Sunday morning, so after a few hours zzzz's in DBG HQ it's another train back to Copenhagen for Sunday and Monday nights before departing to Toronto Tuesday afternoon.  The Tivoli Gardens (staying very close by) is one of the oldest theme parks in the world and Stroget, the world's longest pedestrian shopping street are earmarked to fill my time in Copenhagen, along with perhaps bike rental and maybe even a walking tour of the city to amuse myself.  I'm sure along the way, probably in the hostel bar, I'll make some new friends to enjoy evening drinks with and share the adventures, an avenue to build the Decibel Geek audience perhaps?  With plans already to hook up with some MOR Cruise friends while at the festival, including "Eh" Team member and vocalist for Red Dragon Cartel Darren James Smith, if there's anyone who would like to meet for a beverage at Sweden Rock or in Copenhagen before the Meister heads back home to Canada, just shoot me a mail here through my FB page (The Meister on Facebook)!
 
Sweden or bust!
Cheers,
The Meister

(Sweden Rock Website) (Sweden Rock Facebook) (Sweden Rock Twitter)

(The Meister on Facebook) (Meister on Twitter)

Links to 2013's "A Canadian Decibel Geek in Sweden" series.
(Prelude to Departure) (Days #1 & 2) (Day #3) (Day #4) (The Final Day)

Monday, May 26, 2014

Now Hear This: D.A.D. - Riskin' It All

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     Disneyland After Dark formed in Copenhagen, Denmark in 1982. They were originally basically a cowpunk band, a rock band but heavily influenced by American country music, or rather the soundtracks to Hollywood westerns. After a threatened lawsuit from the Disney conglomerate the band decided to switch to an acronym for a name, D-A-D. I might have suggested a name change but I suppose they were being stubborn. I have to think that the strange name might have hindered their success because they were quite close to breaking in the states at one point, but what teenager wants to buy a record put out by his/her DAD? The band's first two albums, Call of the Wild and Draws a Circle were only released in Denmark and barely resemble heavy metal at all, incorporating much more of an Ennio Morricone influence. They moved closer to hard rock/heavy metal in time for their third album and first international release, 1989's No Fuel Left For The Pilgrims. The album's opening number and almost hit single, "Sleeping My Day Away," got a lot of airplay on MTV and retains the Morricone vibe in the killer guitar tone exhibited on the song's lead breaks.


     The album was a big hit in Denmark and almost a hit in the U.S. but not quite. Was it the name? Who knows. MTV played the shit out of the band's "Girl Nation" video as well, to no avail. Unfortunately it took the band more than two years to release a follow-up album, entitled Riskin' It All, and it would be their last album released in the U.S. As good as No Fuel Left For The Pilgrims was I would argue that Riskin' It All is possibly even better.The album opens strong with a fast-paced AC/DCish rocker called "Bad Craziness." Awesome song!

"You won't believe what I believe when I'm alone."


     Next up is the band's ominous ode to itself, a very cool song called "D Law," or Disneyland Law.


     And now we've arrived at my favorite song on the album and perhaps my favorite tune from the band's entire storied career, a groove-driven rocker mildly reminiscent of "Sleeping My Day Away" called "Day of Wrong Moves." I love the vibe and attitude of the song and the chorus is killer.


     Another upbeat virtual AC/DC tribute called "Rock n' Rock Radar" comes next. This is a really fun tune and continues the album's winning streak.


     At this point the album stalls a bit with the boring "Down That Dusty 3rd World Road" and another AC/DC rehash called "Makin' Fun of Money" but the record kicks into high gear again with a really cool song called "Grow Or Pay" that would have fit nicely on No Fuel Left For The Pilgrims. I keep bringing up AC/DC but when you get to a song like "Grow Or Pay" you realize that this band is capable of a very individual and unique sound, they can create quite the atmosphere and on a song like this the band has a style all its own.


      Yet another AC/DC tribute with a great bridge called "Smart Boy Can't Tell Ya" is followed by the aggressive title track, which is the heaviest song on the record.


      The album closes with a very effective acoustic number called "Laugh n' a 1/2." Not your typical early nineties rock ballad the song reminds me quite a bit of the kind of song Dogs D'Amour were known for, brooding and dark but brimming with emotion and purpose.

    

      Verdict: Riskin' It All by D.A.D. is a great early nineties rock record, the kind of album that you can just put on and let it play, the songs fit very well together and the record flows, you will not want to turn it off. What more can you ask for? Give it a try.


      D-A-D are still together and have released eight more albums since Riskin' It All, but none of those records have been released in the US and they saw the band exploring a variety of genres and styles, unfortunately never coming close, in my opinion, to achieving the greatness achieved by No Fuel Left For The Pilgrims and Riskin' It All.







Sunday, May 25, 2014

Radio Sucks Radio Show volume 17 - Ep138

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This week we bring you volume 17 of our Radio Sucks Radio Show series. If you're new to the show, it's basically us spinning some tracks, old and new, that we think you'll enjoy. Don't expect to hear the same singles that have been run into the ground by classic rock radio. Expect to hear deep cuts from great veteran bands as well as awesome new tracks that the radio guys in suits and ties continue to ignore.

This volume's selection includes classics from UFO, Sea Hags, D.A.D. and Legs Diamond along with brand new tracks from Rubicon Cross, California Breed and Rival Sons. Also featured are killer cuts from Kyng, Mutha's Day Out and Rearview Ghost.

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Legs Diamond
D.A.D.
Sea Hags
California Breed
Rubicon Cross
Rival Sons
Kyng
Rearview Ghost
UFO
Mutha's Day Out

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Friday, May 23, 2014

Staring Down a Gun Barrel

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German heavy rock band, Gun Barrel, has unleashed Damage Dancer officially on May 13, 2014 in North America and it's something that you should check out if you're a fan of straight ahead hard rock.

Gun Barrel came together around 1998 in Cologne, Germany and issued an EP, Back to Suicide, in 2000 which garnered some attention and led them to a record deal.  Since then they have created a five album back catalog consisting of Power-Dive (2001), Battle-Tested (2003), Bombard Your Soul (2005), Outlaw Invasion (2008) and Live at the Kabuna (2010, a live album celebrating their 10 year anniversary).  And yes, you can place some sure bets that I'll be questing to add these releases to my already extensive music library after hearing Damage Dancer!  Plagued by lineup adjustments, guitarist Rolf Tanzius is the only original member from the Back to Suicide days and is joined by vocalist Patrick Suhl (who also lent his talents to Brace for Impact), bassist Tomcat Kintgen (who has been around since Bombard Your Soul) and drummer Toni Pinciroli has been a stalwart hidden behind the kit from Power-Dive to the present.

The album opens out with a short, less than a minute long, introduction simply listed as "Intro" on my MP3 promo copy, but appears to be officially titled "Unleashing the Hounds" according to the band's website.  The title track, "Damage Dancer" is up next and gets the ball rolling quickly with a high energy in the fast paced rocker.  "Bashing Thru" has such a familiarity to it, but I can't quite place the comparative song.  Definitely one of those songs that sticks with you after the listen is over and is probably my top choice here.  The rest of Damage Dancer moves along quite well in the same vein as the first two tracks with Patrick Suhl's vocals having just the right amount of grit to them throughout the release which is peppered with groovy rhythms and short, uplifting solos containing enough riffage to satisfy.  Standout cuts for me are the aforementioned "Bashing Thru", the peppy "Building a Monster" and the fantasy based "Ride the Dragon".  The over six minute in length epic, "Vultures are Waiting", is another gem not to be missed near the end of the album.

Check out some Gun Barrel with this record company promo for the song "Damage Dancer".

Cheers,
The Meister

(The Meister on Facebook) (Meister on Twitter)

Sunday, May 18, 2014

Conversation with Killer Dwarfs - Ep 137

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Last week Aaron Camaro went solo with his one on one talk with Mike Tramp. This week Chris decides to strike out on his own with an in-person hangout with some legends of the Great White North.


The Killer Dwarfs were spending a day in Nashville at Sirius Hair Nation deejay Luc Carl’s “metal farm” and Chris took the opportunity to hang out and pester the guys with a microphone between beers. What you’ll hear in the first half of this episode is Chris (and writer Billy Hardaway) hanging out on a patio with the Dwarfs and Luc Carl while chatting about an assortment of stuff including their mutual love for Alice Cooper, touring with Saxon in the 80’s, and what happened to that can of Cuddly Cola from the ‘We Stand Alone’ video.


The second half of the show features a one on one talk that Chris has with Darrell about his time with the band Laidlaw, his other band Automan, getting back together with the Dwarfs, sharing a studio with KISS in 1992 and what Dwarfs fans can expect on their current tour in support of their Start @ One album.

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Hey Steve Lynch, Can I Get Your Autograph? (A Conversation with Steve Lynch of Autograph)

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It seems not that long ago that the metal scene here in Toronto was quite weak.  It was few and far between when bands would come through town and when they did the venues were not packed to capacity as many fans were unaware of the event, not being in tune with the scene.  Now, largely thanks to the folks at The Rockpile, there are many more bands and rock events visiting Toronto
Event poster (erroneously listing Keni Richards)
Canada.  The trouble with that now that the scene has expanded is that there are so many shows and events that often occur on the same day and I've seen some less than full venues.  This was I suspect, the case on Saturday May 10, 2014 as the attendance for one of the best bands that I've had the pleasure to witness in years stormed the Rockpile West in Etobicoke.  The crowd may not have had to be worked in with a shoehorn, but the fans that were there were rabid Autograph'ers, one I spoke to toting LP covers for the three album releases of the 80's.

The stage was set with entertaining sets by two familiar local bands with Three Quarter Stone and Twitch before the headliners from Los Angeles California took over.  Having had seen Autograph recently, twice on the cruise, at M3 and now here (that's 4 times in about a month span), I was front and just off to the side ready to watch guitarist Steve Lynch wail.  The band members, originals Randy Rand (bass), and Steve Lynch (guitar), along with newcomers Marc Weiland (drums) and Simon Daniels (Vocals/Guitar) spread out on the dim (darkened) stage when Simon quickly grabbed the mike and said "Ladies and Gentlemen, I want to introduce you to Kate."  With the spotlight directly on her, Decibel Geek's Kate Campbell had the pleasure of introducing the band captured in this video.  Great job Kate, but you should have had a Decibel Geek shirt on for the occasion....lol!

The 2014 Autograph ripped through a setlist covering a steady balance of material from all three of the 80's released albums, Sign In Please, That's The Stuff and Loud & Clear.  The rabid fans that were crowding the front of the stage hung on every word Simon Daniels delivered and many, like me were singing along at the top of their lungs with every lyric.  Marc Weiland was a beast behind the kit pounding his drums, while bassist Randy Rand, obviously happy to be up on stage again was nothing but smiles all around.  Steve Lynch is a very under rated guitar player evidenced by the skills he displayed that night and with Simon Daniels also playing guitar the Autograph sound is decidedly thicker.  All four get along well and enjoy playing together as they laughed, joked and even threw towels at each other at different points throughout the set, something that resonates through the spectators at a concert.  Claiming it was time to get warmed up Simon asked who was going to buy them a shot as he polled the band on what they wanted.  Several shots made their way to the stage and were downed quickly with Steve Lynch even inviting the audience to hang around and have some drinks with the band after the show.

Steve Lynch and Randy Rand at The Rockpile-photo by Meister
After allowing the fans to get photos and autographs and while enjoying those drinks after the show I was able to get a few moments to chat with Steve Lynch on the 2014 Autograph.

The Meister:  "What brought Autograph back?"

Steve Lynch:  "Well, Randy and I got together at the NAMM Show down in L.A. in January 2011 and we talked about the possibility.  We weren't sure how far it was going to go, so we decided let's start toying around with this idea.  We just decided let's try this and we got together with Keni (Richards), you know the original drummer and we talked to the original singer (Steve Plunkett), the original keyboard player, he died about six years ago, Steve Isham."

The Meister:  "I had heard that, but am not familiar with the circumstances"

Steve: "Cancer, yeah.  I'd known him from Seattle from 1976, long time.  And so he was playing in a group called Bighorn in Seattle and I was playing in another group in Seattle.  Then when I moved to L.A. after I graduated from the guitar institute, I was looking for a place to live and he was moving out of the apartment I was moving into in Glendale.  And we're going whoa, out of a city of 16 million how can we run into each other again!  Then we ended up playing in the same band together which ended up being Autograph.  When we got together this time we decided, you know, Steve's gone so why don't we try it without keyboards.  Steve Plunkett, the original singer, he didn't want to do it."

The Meister:  "No interest at all?"

Steve:  "The last time he was interested in doing something was about 11 years ago and that was different players because I wasn't interested in doing it at that point.  I had too much stuff going on, I was doing some solo stuff and I owned a music store and I just......wasn't the right time.  But when Randy and I started talking, we decided let's try this again maybe with a new lead singer (since Steve wasn't into it) you know and so what happened is through different circumstances that me and Randy, right here.....(as Randy joins our chat).

Autograph's bassist Randy Rand-by Meister
The Meister:  "Speak of the devil"

Steve:  "....then so after we started talking, we decided we're gonna try it again and then Simon came into the picture and that worked out great.

The Meister:  "How had you guys known Simon?"

Steve:  "It was actually through a mutual friend of our management and stuff and we decided, hey, let's try it again.

Randy:  "We were best friends (gesturing towards Steve).

Steve:  "We were roomates for like six years with Autograph."

The Meister:  "And you guys stayed in contact?"

Randy:  "Well no we didn't stay in contact, but when I found out he (jerks thumb towards Steve) was going to the NAMM show. I said dude let's meet up."

The Meister: "And that's what sparked everything.  So what happened with Keni then?"

Steve:  "Well with Keni......"

Randy:  "Health problems."

Steve:  "Yeah, he had health problems.  The first rehearsal went good and then the second he had problems with his legs and stuff and the the third rehearsal, he couldn't even make it to rehearsal because he had respiratory problems.  And we thought.....well, you saw Marc play tonight, he's 40 and he has a hard time keeping up with the set!  We've got 14 songs that we do, he comes off stage and he's fuckin' exhausted so....."

Randy:  "So we got a 57 year old guy who doesn't have passports or driver's licenses or ..... and so we just decided to move forward.  We wish him......."

Steve:  "Of course we wish the best for him......" (Randy and Steve talking over each other in their wishes for original drummer Keni Richards).  So there's no negativity on our parts towards Keni whatsoever and so like I said we wish him all the best and everything, but in order for us to really make this thing work we had to move on."

The Meister:  "With the new crew now are you guys looking at recording some new music at all?"

Steve:  "Absolutely!"

Randy:  "There's four song writers in the band, three singers so you know....."

Steve:  "We've already started, a couple of ideas......and this is only our tenth gig!  We started at Penn's Peak which is north of Philedelphia, great venue and we played there with KIX.  So that was great and then we did Pittsburg and Detroit, Chicago and Indianapolis after that and then we did the Monsters of Rock Cruise, which was really cool.........and that's Simon our new singer right there (points to nearby Simon).  So that's how that whole thing came into place.  So, Simon (calling to Simon), you want to chip in anything here?  We're doing an interview here."

Autograph's Simon Daniels-photo by Meister
Simon:  "Oh, do I want to chip in?  That depends on how much you're asking for? (laughing)"

The Meister:  "What ever you got my friend, whatever you got! (laughing)"

Steve:  "Trouble is I only have American though (laughing)"

Simon:  (pulling some bills out of his pocket) "I only have two (dollars)."

The Meister:  "That's good, it's worth like four up here (laughing)....actually it's about a dollar thirteen for one dollar US right now I think."

Simon:  "We don't want people to get mad at us, they didn't look happy at a gas station already when we tried to pay!"  (Simon's attention is captured by some fans)

The Meister:  "So how was the experience on the cruise?  It really did look like you guys were having fun up there."

Steve:  "It was great!  We did the pre-party at the casino, which was alot of fun.  We have fun everywhere we're playing, we are a fun band, it's not Steel Panther but...."

The Meister:  "I've seen you guys four times now in about a month and you seem to get better and better every time, like M3 was awesome.  It seemed that you brought it just a little harder for that one!"

Steve:  "We did!  I was just up there rocking out and I'm going this is fucking cool, you know.  But it seems to get that way with every show we play, you know as we get more comfortable with each other."

The Meister:  "So you guys are working on some new music, the cruise was a good experience, M3 was a good experience, where does Autograph go after this?"

Steve:  "We do a Harley Davidson Convention and this really cool casino in Connecticut with Slaughter and then we play in New Jersey, then Maryland again.  Then we go to Moondance Jam, Minnesota to play with Styx and Foreigner.  And then some other gigs filled in and Firefest in England."

Steve Lynch & Simon Daniels-by Meister
The Meister:  "Are you guys on Firefest as well (surprised)?  (As Steve nods yes) Fuck, I'll see you there!  I looked at it so long ago that I've forgotten who's all on the bill!  We'll have some drinks there for sure!"

Steve:  "Cool! (laughing)  You're everywhere!  There's supposed to be England's oldest pub there in Nottingham, so we gotta go there!"

The Meister:  "Deal!  Well, I have one other question that I wanted to ask you, actually it might be like a three part question.........for someone that doesn't play guitar, what's a "hammer on"?"

Steve:  "A "hammer on" is when you, well there's two ways to look at it, you can look at it like when you hammer on with your left hand, which is usually on the neck.  In my case is with your right hand hammering out the notes with your right hand.  What I would do, actually it's in my first, second and third book and instructional video is how to play with two hands on the finger board, so you're playing two different parts of a scale at the same time.  So I got the idea from Emmett Chapman and the Stick......"

The Meister:  So, if that's what a "hammer on" is, what happened when you guys were opening for Van Halen?  Did he tell you that you couldn't do that?"

Steve:  "Yeah.  Their tour manager came up to me and said "Are you Steve Lynch?" and I said "Yeah" and he goes "You're the guy that wrote the book on the two handed technique?", so...."

The Meister:  "So you wrote a book on it?"

Steve:  "Yes, back in 1978!"

The Meister:  "That was before Van Halen really broke it big?"

Steve:  "I didn't even know who Van Halen was!  And so my technique was a little different, I was going off kinda what I'd learned from that Emmett Chapman clinic that he did at the guitar institute and I took everything that I was learning at the institute and was writing everything out two handed rather than one handed and that's where the whole thing came from.  And so I didn't really think anything about it, this is kind of a different way to play and so what happened was the tour manager came up to me and asked me those questions and said "Well you can't do this on this tour".  He said "That's Eddie's thing." and I go, "Oh, well can I use a fucking pick?".  He had these two big bodyguards with him and they weren't laughing about it like we are now and I said "Fuck you guys, I'll do whatever I want.", you know."

The Meister:  "So you played like that anyway?"

Steve:  "No, he goes "Look, I'll break your fucking hands", oh they were serious and I knew where it came from.  It came from Eddie, so obviously we didn't talk much on the tour."

The Meister:  "No, I guess not.  Do you think that he learned his technique from you?"

Autograph guitarist Steve Lynch-by Meister
Steve:  "I'm a week older than him, so it just happened to be that we came into a similar technique around the same time.  There was a guy in Seattle named Steve Buffington that was doing it and I used to watch him, so I kinda got some stuff from him.  There was also a guy, Harvey Mandel, who played with John Mayall & The Bluesbreakers, he was doing some of that stuff and then I saw some old clips of Johnny Smith who was a jazz player back in the 40's.  He was doing different, like, quartet stuff with both hands and then I saw this clip from 1965 of this Italian guy who's actually a doctor, who was playing all this crazy stuff on a classical guitar and so all these guitar players have done it before in the past."

The Meister:  "So you just amalgamated some different elements of each one into your own style?"

Steve:  "Right, but the main guy that I got the idea from was Emmett Chapman and Stick."

The Meister:  "Well thanks for taking this time Steve, great show again tonight.  I'm just sorry that it wasn't sold out for you guys."

Steve:  "It's not a big deal.  We look at it like, we love the fans that come out and hang out, just like we're doing right now until the place closes, we love doing it.  This is our tenth show so we look at it like this is great, we're reestablishing ourselves, we're getting people out there to know that we're back.  We haven't been around for 25 years, so now we got a new singer, a new drummer and a new sound.  We're tuned down a whole step, just lower and it's thicker and I had to learn how to sing because we wanted to do three part harmonies as that's a big part of the Autograph sound.  So I had to learn how to sing because I'd never sang before.  Simon, since he was a vocal teacher, he helped me out a lot.  I actually love singing!"

The Meister:  I'm just happy that you guys are back and I look forward to some new music from Autograph down the road.  Sign in Please was one of the first albums I ever bought and I never thought that I'd be hearing the tunes live."

Steve:  "Well RCA wouldn't pay for us to go to a lot of places, so this is the first time we're going to be playing England....."

Steve Lynch-photo by The Meister
The Meister:  "Seriously?  With a song as huge as "Turn Up the Radio" and this is the first time you're playing England?"

Steve:  "Well what happened was Bob Summers, the original CEO of RCA died of aids.  Bob Buziak came in and fired like 50% of the staff in New York at the main offices.  So then what happened was, it wasn't really us that suffered but Mr. Mister, The Pointer Sisters, Kenny Rogers The Eurythmics.  All of them tanked because RCA didn't do anything with them.  All of us were so mad and I ran into Steve Farris, the guitar player from Mr. Mister and I told him what had happened because he didn't know the inside story.  He was really disappointed because they put a lot of work into their second album and it went nowhere because of the backing."

The Meister:  "Well, thanks again Steve.  I look forward to some new Autograph music down the road.  I keep making the jokes about it being called "Turn Up the I-pod" (laughing)."

Steve:  "(laughing) Well maybe "Turn up the Cardio", we are getting older (laughing)."

Autograph @ The Rockpile, Toronto Setlist:
Deep End
Dance All Night
Loud and Clear
Bad Boy
Blondes in Black Cars
When the Sun Goes Down
All I'm Gonna Take
Send Her to Me
Cloud Ten
My Girlfriend's Boyfriend Isn't Me
She Never Looked That Good For Me
Crazy World
That's The Stuff
Turn Up the Radio

 Cheers,
The Meister

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