Say what you want about us KISS fans. We have spending power and we like to buy KISS shit. And shit is largely what they've given us for some time now. The last two studio records sound like Asylum rejects. The KISS Kruise is just an annual ritual of them lowering expectations while raising prices. And when they manage to do something awesome like reissuing all the albums on vinyl in a road case they ask Vinnie Vincent what he thinks they should charge.
The point being when they do something cool they still find a way to underwhelm. The KISSology DVD sets were well done packages of what KISS fans have wanted for years. Complete with unique Easter eggs and content that merited the cost. But of course they edited the Tom Snyder interview to make Gene look less douche-y and Ace less awesome. And for each release there was the bonus discs. A different bonus disc per retailer. Meaning if you wanted them all you had to buy it 3 times.
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I Know Who You Are is another song that would appear on his solo record in reworked fashion ala Lving In Sin. In both cases it's cool to hear how these songs transformed into their end result. The only other unreleased song is called Much Too Soon. Another Gene track. It's clear this has no business on a KISS album but I think, in the 70's especially, Gene had such a unique approach to writing. This song is a little weird but for a fan it's a lot of fun to hear. More please. There are also demo's for Hooligan, Plaster Caster and an instrumental demo of Tomorrow and Tonight for the karaoke fans out there.
The interview of Gene from 1977 is interesting to listen to as Gene hadn't quite developed his arsenal of bumper sticker ethos he spews in every interview nowadays. Which leaves us with the "live" tracks. The vocals were redone recently. Like a few days ago recently. They pulled this crap with the just in time for a tour release You Wanted The Best in 1996 which featured some "Lost" tracks from the Alive! recording. Gene. Paul. We can tell. This is unnecessary and frankly embarrassing.
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The really sad thing is I know, as much as I just complained, I will buy the next underwhelming "new" release. I'm my own worst enemy. I am a completionist. And there are a lot of me. And KISS knows it. They will continue to tease with snippets and charge premium price for a product you already own. They will never intentionally make a performance unique and they will always try to control the story. But here's the thing. Why do they think they can only get our money if what they offer is underwhelming? Why does their business model seem to be "If it's cool we won't make money."? They put together this "Deluxe Edition" as if it were for the audience of the Super Bowl.
There seems to be no rhyme or reason to how these are being handled. There seems no effort to make it truly special. And does it really need to cost so much? Why not do a package like this for all of the records, one at a time and in order of release? Starting with a proper release of Wicked Lester. Aren't you old enough to not be embarrassed anymore. You do know we've all heard it.
So I am offering my services, FREE OF CHARGE, (You like that don't ya Genie baby) to oversee all future Deluxe reissues of this wonderful back catalog. I will need final say in all bonus material and there will be no re-recording of anything. Demos and live performances shall be presented with existing warts. It will be cool and you will make money.
So Gene. Paul. You got a lot of my money. Your gonna get more. You can do better than 4 versions of Love Gun can't ya? Search your feelings you know it to be true. Anyway, let me know when you want me to start working on that Wicked Lester release as the fans and I are waiting.
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