THE WARLOCK FIGHTS FOR ROCK
In 1986 Germany's Warlock issued their third album called True As Steel. This record brought some interest from North America for the band on the strength of the Fight For Rock single. My personal journey with Warlock started with the big hit All We Are from the next and last album, Triumph & Agony. In those days the only way we would get new music was through rifling through my friend's older brother's collections. One day I was over at his house and his brother had left Triumph & Agony lying around in the living room. Attracted by the fantasy images of the cover we spun the record and fell in love with the anthem song All We Are. From there we went back in time (or back through his brother's collection as it were) and were excited when we came across another Warlock album in True As Steel.
Hailing from Dusseldorf, Germany, the band Warlock was fronted by former model Dorothee Pesch, better known under the moniker of Doro. Unlike much of the other female fronted rock at the time, this band was loud and harsh with lyrics concerning sorcery, witches and demons rather than love, romance and sex.

Forming in 1983 and citing influences such as Iron Maiden, Judas Priest and fellow Germans Accept, Warlock released four albums. One each year starting with Burning The Witches in 1984, Hellbound in 1985, True As Steel in 1986, and ending in 1987 with their most commercially successful offering of Triumph & Agony.
Having played the Monsters of Rock festival at Castle Donnington in 1986, the first female fronted act to do so and with the success of the Triumph & Agony record on both sides of the water, Warlock should have been a household name. Sadly the constantly revolving door of the band saw Pesch being the only original band member and the only German left in the band by 1988. The next album was released under the Doro moniker to avoid any legal complications and Warlock was left behind.
Basing herself in New York, the German Metal Queen from Dusseldorf toned down the Gothic fantasy metal as a solo arrtist for a more mainstream approach. Her second solo offering was produced by none other than the legendary Gene Simmons of KISS, but still failed to receive the desired reception and was the last release available domestically in North America until 2000's Call of the Wild, even though she had recorded five albums in between. When the grunge explosion caused the 80's style of metal to fall from favour, Doro soldiered on continuing to record and kept a small but loyal following (that's me....lol). She has often recorded cover songs including Billy Idol's White Wedding, Metallica's Nothing Else Matters, Heart's

After almost thirty years in the music business Doro shows no signs of slowing down with a tour of Europe, rocking on both the 70,000 Tons of Metal Cruise in January and the Full Metal Cruise in May, already booked for Wacken Open-Air Festival and Sweden Rock Festival for 2013 and a North American tour supporting the latest Raise Your Fist album. The album is available from Amazon, I-tunes and the record label Nuclear Blast: www.nuclearblast.com

Visit Doro's official websites: www.doro.de and www.doropesch.com and watch for mine and Wally's Doro interviews and concert reviews coming next week to Decibel Geek!
Cheers,
The Meister
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