Put on your “Cheap Sunglasses”
and do the “Tube Snake Boogie” as you “Party on the Patio” with ZZ Top’s newest
offering. The Rick Rubin produced
“Texicali” EP which became available on June 5th, 2012 is a return
to the more classic bluesy sound of earlier ZZ records before the synthesisers
and drum kits of the 80’s took over. The
four tracks on the EP are from the forth coming, as yet untitled, CD due out
before the end of the year. Rick Rubin
is probably one of the most important producers of our time, having worked with
many bands including Aerosmith, Red Hot Chili Peppers, Four Horsemen, Slayer,
The Cult, AC/DC and Metallica. The Tres Hombres boogie their way through the
four tracks and as one would expect after over forty years together, gel well
and leave us anxiously awaiting the full length recording. A quote from Classic Rock Magazine posted on
ZZ’s website states “Three years in the making and nine years on from their
last album, they’re back with a new record-with Rick Rubin at the helm-and a rocket
up their ass.”
After listening to ZZ Top’s long
awaited new EP Texicali, I was reminded of a different time in my life. Twenty-two years ago as a seventeen year old
kid trying to manage the pressures of daily life, schoolwork, parents and peer
pressure, I, with the help of “That Little Ol’ Band From Texas” was able to bring
an evening of joy and excitement to a close friend.
We had met at the start of the
school year and quickly became best friends in the month that we had known each
other. At the time he was having an extremely difficult go in his home life and
he spent a lot of time at my place with my family, becoming an “adopted” brother
and son. We were inseparable and spent
all of our free time together with ZZ Top being one of our common bonds, often
performing the classic ‘finger sway” wearing our “cheap sunglasses” as we
walked to and from school.
As soon as I
heard the concert announcement I knew this was our thing! I presented him with the ticket
on his birthday and the mounting excitement as we counted down the days, hanging
out in my basement spinning the “Afterburner” record or the “Recycler” cassette
side after side was almost unbearable for us.
Finally the night of Thursday October 11th, 1990 rolled
around and we made the long trek from our small town north of Toronto to the bright lights of the big city.
This was probably my fourth or
fifth concert by this time and I remember feeling an overwhelming sense of
pride to be taking my best friend to his first ever show and hopefully bring
some joy into his troubled teenage years.
The excitement building and our hearts pounding in our chests we
followed the throng into Maple
Leaf Gardens ,
our feet barely touching the ground as we were swept to the merchandise
booth. After surrendering our hard
earned cash we tightly clutched our swag, consisting of tour shirts, tour photo
books and a silver keychain in the shape of the “ZZ” logo.
Eagerly finding and taking our
seats, we settled in for the long wait until the opening act took the stage,
amusing ourselves between the standard pre-concert tunes on the PA system and
making a careful study of the female concert goers flowing around the
arena. Every time that we would spot a
young lady that we particularly admired, we would “cheers” each other by
clinking our shiny new “ZZ” keychains together.
Hey, we were seventeen and we thought we were cool!
After the opening act had left
the stage the change of sets began and the seventeen year old angst of ogling
girls resumed, the “ZZ” clink chiming every time, the chatter inevitably took
on the subject of the dreams of being a roadie on tour with ZZ Top. The minutes flew by and before too long ZZ
Top took the stage, blasting into “Planet of Women”. Their show included past hits as well as
material from the latest “Recycler” album and all the ZZ gimmicks were present
in full force, spinning fuzzy guitars, moving sidewalks, flashing lights, girls
and flowing beards. Thoroughly pumped,
we were on our feet, laughing and cheering on every song until finally Frank
Beard, Dusty Hill and Billy Gibbons thanked the crowd and left the stage. My friend started to collect his things and
made a move to begin exiting the stadium.
“Where are you going?” I shouted.
Being his first show, he had no idea about encores! “If you scream and make noise as loud as you
can, they will come back out”, I explained.
The lights flashed back on as an uproarious cheer from the audience
signified the Tres Hombres return to the stage and before I could say “I told
you so!” the keychains were out and “clinking” as the opening notes of La
Grange assaulted our ears.
That’s how I remember my
experience twenty-two years ago seeing one of my all-time favourite bands. Although we lost touch when he moved some
four hours away to live with his father not long after this concert, I feel
that I helped to bring some happiness into the life of my troubled friend and
to this day the “ZZ Top logo keychain” hangs in my room and wherever he is, I
know that he’s doing just fine, cheers man………..”clink”.
2 comments:
Nice review. Couldn't agree more on the Rick Rubin comment, can't wait to hear the full length release. Also how was Colin James? He's awesome.
I actually don't remember too much about Colin James from this show, but I did get an opportunity to see him on tour with B.B. King later and that one I remember he was excellent!
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