No stories are more entertaining and thought provoking than
war stories. The rock and roll equivalent to this is road stories. Our guest
this week is a treasure trove of experience in the annals of rock history;
especially KISSTORY as former KISS guitar tech Tom Harper joins us for a
discussion that is a great look behind the scenes that most music lovers never
get to see.
Tom is most commonly known among KISS fans as a guitar tech
(Paul Stanley’s on the Dynasty tour) that was tasked with playing the bass
track on the track Shandi from 1980’s Unmasked album. Before we get into what
took place to lead Tom into replacing Gene Simmons on this poppy number, we go
back to his roots.
Our discussion starts in Connecticut in the early 1960’s and
Tom’s indoctrination into the world of rock and roll as he witnesses the
Beatles first appearance on the Ed Sullivan show. The tv appearance that
launched a million wannabe rock stars nabbed Tom hook line and sinker as he
quickly joined a band that already had 40 original songs and was playing talent
shows and local bars at an age where he should have not been allowed admission.
Tom shares stories of playing seedy clubs on the wrong side
of New Haven, CT and witnessing bar brawls and stabbings while performing sets.
In this discussion, Harper also remembers seeing legendary
performers such as Cream and Jimi Hendrix as they made their way through
Connecticut on their ascent to the top of the charts as well as the image of
seeing Hendrix light his guitar on fire first-hand.
In 1969 Tom’s musical interests shifted as he became seduced
by the technical prog-rock sounds of YES and their dynamic bassist Chris
Squire.
The early 70’s saw Harper join a hard-rock act named BUX and
he shares his experiences of recording an album for Capitol Records with
promise and seeing that promise dashed when their manager meets an untimely
demise. This situation leaves Harper without a band or a job in the middle of
New York City.
Through connections and a timely ad in the Village Voice,
Harper winds up as an employee of SIR Rehearsal Studios in NYC. It would be
through this job that his path would cross with the Hottest Band in the Land.
Soon after beginning work for SIR, Tom finds out that
producer Eddie Kramer is enlisting the company to provide various Marshall
studio heads for the Ace Frehley 1978 KISS solo album. Harper shares his
recollection of how he ingratiated himself into KISS circles by providing
top-notch maintenance for Kramer and Frehley during the recording process.
In this discussion, you’ll hear how Harper became friendly
with KISS’ road crew and landed the job of being Paul Stanley’s guitar
technician. You’ll hear about an awkward first meeting with the Starchild at
the KISS Dynasty album cover shoot that made it clear that Harper would have to
be on his toes while working for Stanley.
Tom also shares his memories of then-KISS road manager Fritz
Postlethwaite and his chainsaw named Arthur that he would use to bring order in
hotels on the road.
The KISS Dynasty tour of 1979 was a virtual city-on-wheels
and in this discussion Harper shares how the pre-tour preparations and
rehearsals had the crew on the brink of exhaustion. He also shares some
interesting stories about some ill-fated laser effects that sounded great on
paper but turned out to be a nightmare to execute.
The tour rolled through America with 8 trucks and a flying
rig for Gene Simmons that was state-of-the-art. Harper shares memories of the
massive size of the show as well as some problems that happened along the way
as ticket sales did not live up to expectations for the tour.
Before we get to the Shandi discussion, we take a couple of
interesting detours as Tom shares with us his memories of being the musical
director for the Peter Criss Out of Control tour that wound up being cancelled
due to poor album sales. A planned appearance on a famous late-night show was
cancelled and the revelation takes us completely by surprise. Interesting
stories about the Catman.
We also discuss Tom’s time working with Judas Priest; of
whom he became friendly with as the opening band for KISS’ Dynasty tour. Great
road stories of working with Priest over the years ensue and we ponder the
question of just how Rob Halford could pull off 5 shows in a row with no rest for
his voice on 1982’s Screaming for Vengeance tour.
We also briefly discuss Eric Carr’s KISS audition and Tom’s
memories of the Carr as a drummer and as a person.
We finish things off with the Shandi discussion in which Tom
tells us how he wound up playing on the track, his thoughts on KISS’ creative
process, the poppy sound of the Unmasked album, and the professionalism of Vini
Poncia. It’s a great story and one we’re thrilled to share with you.
As a special treat to our listeners, we outro the show with
the basic track of Shandi as Tom recorded it that day in 1980. This version of
the track features a guide vocal from Paul and a basic production and comes
from Tom’s personal collection. We hope you enjoy this different sounding
version of Shandi.
Tom Harper recently released an EP entitled Vintage UK. This 4 song EP features tracks that heavily inspired Tom in his musical journey
from British Invasion artists of 1967-68 and is available at the links below.
Clips from these songs were played throughout the episode. If you enjoyed it
and want to hear more, pick it up!
Purchase on iTunes http://itunes.apple.com/artist/tf-harper/id395771038
Purchase on CDBaby http://www.cdbaby.com/cd/tfharper
Website for Vintage UK http://vintage-uk.com/Vintage_UK/Vintage_UK.html
4 comments:
A great window into the real world of Rock!
Ya know, when reminiscing about the Tom Snyder show I mistakenly said that Ace had probably had a few bottles of Moët & Chandon, when in fact he only drank Dom Pérignon.
Great interview. Loved it.
Awesome Interview!
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